A LITTLE MORE WORLD. A LOT LESS EFFORT.111 editorial sources NOVEMBER 12, 2026
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CultuređŸ‡ș🇾 US
VarietyEN

Cannes Camera d’Or-Winning ‘Ben’imana’ Director Marie-Clementine Dusabejambo Signs With CAA (EXCLUSIVE)

Rwandan filmmaker Marie-Clementine Dusabejambo, whose first feature as director, “Ben’imana,” took the Camera d’Or at Cannes this year, has signed with CAA. The film was named best first feature at the festival’s 2026 edition, where it also won the Fipresci Prize for the Un Certain Regard strand. It was the first film by a Rwandan [
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CultuređŸ‡ș🇾 US
VarietyEN

Cannes Prize-Winning ‘Brink of Dreams’ Director Ayman El Amir Preps Dark Comedy About Egypt’s Obsession With ‘Fame at All Costs’ (EXCLUSIVE)

Egyptian filmmaker Ayman El Amir, who co-directed the groundbreaking, Cannes prize-winning documentary “The Brink of Dreams,” is developing his next feature, “A Pair of Shoes in the Dark Corner of the Moon.” The satirical comedy is among the projects that will be taking part in the Crossroads Co-Production Forum of the Agora, the industry arm [
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EntertainmentđŸ‡ș🇾 US
VarietyEN

Cannes, Annecy-Winning ‘Iron Boy’ Producer Eddy Cinema Backs Memory-Erasure Animation ‘Wilderness of the Greenriver’ at Taiwan Creative Content Fest

A man who has no memory of his past finds out that a patient is the sister he lost in “Wilderness of the Greenriver,” an animated feature from Barcelona-based Hong Kong director Ellis Kayin Chan that is at the Taiwan Creative Content Fest (TCCF) in Taipei. The film is set in a world where technology [
]

BusinessđŸ‡ș🇾 US
VarietyEN

Paris Creator Week Aims to Become the Cannes of the Creator Economy as New Study Forecasts $1.2 Trillion Global Market

Paris Creator Week is doubling in size this year, drawing 8,000 industry professionals and top executives from YouTube, Twitch, LinkedIn and traditional media giants including Banijay and Mediawan. The gathering kicks off today at the Halle de la Villette where a new study is being unveiled, revealing that the global creator economy is on track [
]

CultuređŸ‡ș🇾 US
VarietyEN

Cannes Chief Thierry Fremaux Hails French Film Model as CNC Head Gaëtan Bruel Vows to Fight for Its Future at 80th Anniversary

France’s National Film Board, the CNC, marked its 80th anniversary with a three-day gathering of industry leaders in Paris, including Cannes Film Festival chief Thierry FrĂ©maux who praised the country’s unique film funding system. CNC president GaĂ«tan Bruel, meanwhile, warned against attempts to dismantle a model that has helped make France a global cinema p

EntertainmentđŸ‡ș🇾 US
DeadlineEN

Cannes Marché & TIFFCOM Commit To Holding Second Edition Of Japan IP Market In 2027

Cannes MarchĂ© du Film and Tokyo International Film Festival Content Market (TIFFCOM) have announced that they will co-organize the Japan IP Market in Cannes for a second consecutive year, from May 14-15. The announcement was made at TIFFCOM during the seminar ‘Beyond Country of Honour: Building the Next Global Partnerships with Japan’, featuring Alexandra Za

SportsđŸ‡ș🇾 US
VarietyEN

Charades Boards Basketball Film ‘Import’ From Cannes Alum Paul Shkordoff Ahead of AFM (EXCLUSIVE)

Charades (“Club Kid”) has boarded “Import,” the debut feature film of Canadian director Paul Shkordoff, whose 2020 short “Benjamin, Benny, Ben” competed at Cannes. Set in the fiercely competitive world of European basketball, the movie was co-written by Frank Graziano (“Murina”) and Shkordoff. It’s now in post-production. American professional basketball pla

EntertainmentđŸ‡ș🇾 US
DeadlineEN

Renate Reinsve On Making Cristian Mungiu’s Cannes Winner ‘Fjord’: “I Knew I Was Going Into A Completely Different World”

By now, Renate Reinsve is no stranger to the closing-night pomp of the Cannes Film Festival, having won the best actress trophy in 2021 for Joachim Trier’s The Worst Person in the World, her first ever leading role. Since then, she’s clearly mastered the art of capturing souls; after reteaming with Trier for last year’s [
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CultuređŸ‡ș🇾 US
VarietyEN

‘When I Existed,’ a Cannes Market Standout, Swooped On for World Sales by M-Appeal and Now Bound for Tallinn Black Nights (EXCLUSIVE)

Berlin-based M-Appeal has boarded “When I Existed,” a buzzy, feel-good second-chance drama comedy and Kafkian social satire which proved a standout at the Cannes Market’s Ventana Sur Goes to Cannes showcase, marking an auspicious debut for Uruguay’s Alejandro Damiani and Martin Avdolov. A select but discerning sales agent of Latin American movies, M-Appeal h

EntertainmentđŸ‡ș🇾 US
DeadlineEN

How TIFFCOM Is Building On Cannes Recognition To Strengthen Global Networks, Co-Production & Japanese IP

At this year’s MarchĂ© du Film at the Cannes film festival, it would be no exaggeration to say that Japanese content and creators were everywhere you turned. Designated ‘Country of Honour’ at the market, Japan was involved in a slew of panels, workshops and labs; played a prominent role in Cannes flagship programs, including Cannes [
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