The world, in perspective.

The death occurred at around 12.36 a.m. following cardiac failure, according to private hospital authorities in Kochi

As Camerimage turns 34, its director explains how the world's leading festival on the art of cinematography continues to embrace new technology while drawing the line on fully AI-generated films.

Known for his long-time collaboration with Romanian auteur Cristian Mungiu, cinematographer Tudor Vladimir Panduru shared his experience making “Graduation,” “R.M.N.,” “Fjord” and Iraqi director Hasan Hadi’s “The President’s Cake” during his masterclass at Jakarta World Cinema. Benh Zeitlin, the Oscar-nominated director of “Beasts of the Southern Wild,” said

Cristian Mungiu’s Palme d’Or winner “Fjord” opened the fifth edition of Jakarta World Cinema at CGV Grand Indonesia. Dan Adrian Bălănescu, Romania’s ambassador to Indonesia, said he was proud of the film, which is Romania’s submission for the international feature Oscar at the 2027 Academy Awards, and hoped it would speak to local audiences. “Many […]

After nearly 30 years of collaboration behind the camera, Rian Johnson has enlisted his cinematographer Steve Yedlin to package their aesthetic in a new iPhone app. Thee 2x Oscar-nominated writer and director announced the launch of Chromagraph Camera this week, which he explained “uses the same image processing we use” on their movies like Brick […]

Stepping outside the airport in Mallorca, three-time Oscar-nominee cinematographer Matthew Libatique was taken aback by the light. He briefly delayed greetings so he could take it all in: the way the autumnal sun kissed baby-pink buildings and glistened against the island’s shores before setting behind the mountains. This is an experience the veteran DP shar

A first-time director who messaged Oscar winner Hamaguchi Ryusuke’s cinematographer directly, and a former hunter whose film led Carlos Reygadas to float a collaboration, were among five Nippon Cinema Now filmmakers who shared the unexpected connections behind their work at the 39th Tokyo International Film Festival (TIFF). The “How We Make Films” panel at T

Chezhiyan’s minimalist approach to filmmaking was evident in To Let, in which he deliberately chose not to use background score, despite music being an integral element of Tamil cinema